Volume 1, Issue 5 is a very special issue for me for two reasons each of which I will explain below so bear with me.
First, it is special because it is the first issue of SCIENCE FICTION AGE that I ever saw and that I ever owned. I came across the magazine by accident, on a weekend during the summer of 1993 (the summer between my junior and senior years at the University of California, Riverside). To kill time, we would head out to the Moreno Valley Mall and while there, I could never resist going into the B. Dalton bookstore, even though I never had much spare cash to spend on books (I was, after all, a college student). On this occasion, however, I recall seeing the magazine toward the bottom of the magazine rack. I was attracted by Piers Anthony’s name on the cover and as soon as I had discovered that he had a short story in side, I willingly forked over the $2.95 for a copy of the magazine.
Which leads me to the second reason why this issue was special. It marked a turning point for me in science fiction and in fandom. Up until this point, my exposure to science fiction was limited. I liked science fiction, don’t get me wrong, but I hadn’t read more than a few authors. When I was much younger, I’d read Madeleine L’Engle‘s 1962 classic A Wrinkle In Time. I’d read bits and pieces of Isaac Asimov’s novel The Caves of Steel. I read a few other odds and ends here and there. But I’d read almost no short science fiction. And most of the science fiction I’d read up to that point was Piers Anthony (thus, what attracted me to the issue in the first place).
After reading this issue of SCIENCE FICTION AGE I discovered just how good short science fiction was. I immediately subscribed to the magazine. Slowly, but surely, I also began to expand my own reading within the genre. When I could, I bought short story collections from the authors that I was most familiar with. One of the first such collections that I bought was Harlan Ellison’s Deathbird Stories. I started to learn the history of the genre and within a year of picking up that first copy of SCIENCE FICTION AGE, I’d read Dangerous Visions which gave me a much wider exposure to the biggest names in science fiction and lead me in 46 different directions. I read books such as Barry Malzberg’s Beyond Apollo and Herovit’s World. I read Robert Heinlein’s The Puppet Masters. I continued to read Piers Anthony’s books as they came out.
At this point, I had been writing my own stories and submitting them for a little less than a year. After this “expansion” of reading on my part, I noticed a change in my own stories. They were still being rejected, but there was an increased level of maturity in the writing. I attribute this directly to the stuff that I was reading. I was learning how to write from the masters.
There was one other thing that happened. I entered fandom for the first time. Kind of. Because of that issue of SCIENCE FICTION AGE, I wrote a letter to Piers Anthony, telling him how much I liked his story and what I big fan I was. I can’t remember how long my letter was. Within a week or two, I received back a 2 page singled-spaced letter, which was clearly personal and which encouraged me to continue to pursue my reading and writing of science fiction. Since then I have never looked back.
I was a late-bloomer when it came to really diving into science fiction. I shiver to think what might have happened if I never saw that green-bordered issue of SCIENCE FICTION AGE on the magazine rack in B. Dalton. But that is an alternate history that I no longer have to worry about. Thanks to this issue of SCIENCE FICTION AGE, I joined a special cadre of people the world over united by a common bond: the love of science fiction.