Recently over at the Arlington Writers Group, we did a workshop session on “beginnings.” We each brought along the beginning to some novel or story that had been published (not our own) and then we read the first few paragraphs and discussed why the beginning worked or failed to work. It was an interesting exercise, but what was missing from it were all of the failed beginnings that never made it into print.
In this discussion of beginnings, I am sticking to what I know: short stories. It is possible that there are similarities between how short stories start and how novels start, but I am not a good judge of that since I don’t write the latter. Of course, this is based on my own experience, writing and selling science fiction short stories. With respect to beginnings, I think there are just a couple of things to keep in mind:
First, we always hear about the strong opening to a short story. You need to capture the reader’s attention quickly in order to keep them reading. This often leads to fantastic opening lines that simply can’t be sustained for the rest of the story. Before I ever sold a story, I was pretty good about coming up with opening lines, but I found it difficult to carry out what I started through the rest of the story. As I mentioned in the previous post, I’d written a story, the beginning of which was praised by Algis Budrys when I submitted it to him–but, as he said, the ending flagged. I just couldn’t sustain what I’d done.